Ilya Bolotowsky - Blue and Yellow Tondo
Ilya Bolotowsky - Composition in Red


British (b. 1931)
Untitled, 1968

Etching with aquatint
Signed and dated in pencil
Edition 48/75
Printed at Central School of Art, London, on Crisbrook hand-made paper, by Michael Harrison.
Published by the artist in an edition of seventy-five numbered impressions. Full margins.
55 x 35 cm

Provenance: Quay Gallery, San Francisco.
Acquired in 2012 at Clark Fine Art, Sherman Oaks, California

More information on Brian Wall

Brian Wall (Born 1931)
Teaching at the Central School of Art in London along with their connections at the University of California enabled Wall to travel to San Francisco in 1969 where he worked as Visiting Professor at Berkeley University for a few months, finally moving to the Bay Area in 1972. Over the past thirty five years Brian Wall has exhibited in California and London. His work is represented in public collections in London, Ireland, Australia and America.After attending Luton College of Arts in the early 1950s, Wall’s interest in the work of Ben Nicholson and Barbara Hepworth encouraged him to move to St Ives. Whilst working at the Tregenna Castle Hotel he met Peter Lanyon who helped him find a studio in Custom House Lane where he worked alongside Terry Frost, Trevor Bell, Patrick Heron and Sandra Blow. In 1955, he was introduced to Barbara Hepworth by Denis Mitchell and worked as her assistant on metal sculptures for several years.

In 1956 he started making his own welded steel sculptures and was elected a member of the Penwith Society, exhibiting his work in the annual shows. Exhibitions at the Drian Gallery in London along with other St Ives artist’s in the late 1950s brought his work to London which prompted his move away from Cornwall in the early 1960s. Exhibitions in London included Tate Gallery, British Sculpture in the Sixties (1965) and Battersea Park London, Sculpture in the Open Air (1966).

Brian Wall’s was also included in an exhibition, Aspects of New British Art, which toured to five states in Australia the same year. In 1968 he was commissioned to produce a sculpture for the new town of Thornaby on Tees, which for many years was the largest contemporary sculpture in England.